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First Exercises
Not classified 72

Piano & keyboards
Piano solo 40
Easy Piano 22
Piano, Voice 3
1 Piano, 4 hands 2
C Instruments 2

Piano, Vocal and Guitar 1

+ 1 instrumentations

- Retract

Guitars
Guitar 24
Guitar notes and tablatures 11
Lap Steel Guitar 2
Dulcimer 1
Banjo 1

Bass guitar 1

+ 1 instrumentations

- Retract

Voice
Soprano voice 3
Choral 3-part 3
Choral SATB 3
Vocal duet 2
Voice solo 2

Choral 2-part 1
Choral Unison 1
Baritone voice, Piano 1
Alto voice, Piano 1
Choral TTBB 1
Medium voice, Piano 1

+ 6 instrumentations

- Retract

Woodwind
Flute 11
2 Saxophones (duet) 6
2 Clarinets (duet) 4
Clarinet 4
Descant (Soprano) Recorder 4

2 Flutes (duet) 3
Treble (Alto) Recorder 3
Alto Saxophone 3
Clarinet Quartet: 4 clarinets 3
Clarinet, Violin (duet) 2
Saxophone (band part) 2
Clarinet, Trumpet (duet) 2
Flute, Viola (duet) 1
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1
Flute, Trumpet (duet) 1
Oboe, Clarinet (duet) 1
Recorder 1
Clarinet and Viola 1
Oboe, Violin (duet) 1
Flute, Violin 1
Flute, Saxophone (duet) 1
Flute, Oboe (duet) 1
Oboe, Bassoon (duet) 1
Flute Quartet: 4 flutes 1
Saxophone, Clarinet (duet) 1
Flute, Oboe, Clarinet, Bassoon 1
Oboe (band part) 1
2 Oboes (duet) 1
English Horn 1
Flute, Clarinet (duet) 1
Saxophone Quartet: 4 saxophones 1

+ 26 instrumentations

- Retract

Woodbrass
Trumpet 11
Trombone 10
2 Trombones (duet) 4
Tuba 4
2 Trumpets (duet) 2

Trumpet, Trombone (duet) 2
2 Tubas (duet) 2
Trumpet, Saxophone (duet) 1
French horn 1
Bass Clef Instruments 1
Euphonium 1
English Horn 1

+ 7 instrumentations

- Retract

Strings
Violin 36
Cello 17
Harp 9
2 Cellos (duet) 9
Viola 6

Violin and Piano 5
Cello, Piano 4
String Quartet: 2 violins, viola, cello 3
2 Violins (duet) 2
Violin (band part) 2
Cello (band part) 2

Double bass, Piano (duet) 1
Violin, Viola (duet) 1
Violin, Cello (duet) 1
Piano Trio: Violin, Viola, Piano 1
2 Violas (duet) 1
Double Bass 1

+ 12 instrumentations

- Retract

Percussion & orchestra
String Orchestra 8
Concert band 6
Chamber Orchestra 4
Marimba 2
Percussion Ensemble 1

Conga 1
Drums 1
Bongos 1

+ 3 instrumentations

- Retract

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First Exercises

Cello (band part)

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2 sheet music found

Donut Etudes vol. 3: Don’t Step in the Holes! – Cello Quartet

Donut Etudes vol. 3: Don’t Step in the Holes! – Cello Quartet #Cello (band part) #INTERMEDIATE #Instructional #Joshua Hauser # #Donut Etudes vol. 3: Don’t S #Slide Ride #SheetMusicPlus

Cello Solo - Level 3 - SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Published by Slide Ride ...(+)

Cello Solo - Level 3 - SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Published by Slide Ride (A0.784341). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Donâ€™t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as youâ€™d like.Â· Choose a tempo.Â· Choose a dynamic.Â· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

$5.00 ≈ £3.95

A Glass of Water Lights the World

A Glass of Water Lights the World #Cello (band part) #INTERMEDIATE #Sabrina Pena Young #A Glass of Water Lights the Wo #Sabrina PeÃ±a Young #SheetMusicPlus

Cello Solo - Level 3 - SKU: A0.976922 Composed by Sabrina Pena Young. Contemporary,Film/TV,Instructional,Standards. Individual part. 2 pages. Sabrina Pe...(+)

Cello Solo - Level 3 - SKU: A0.976922 Composed by Sabrina Pena Young. Contemporary,Film/TV,Instructional,Standards. Individual part. 2 pages. Sabrina PeÃ±a Young #3425677. Published by Sabrina PeÃ±a Young (A0.976922). A true masterwork for Cello! 21st century work that allows the cellist to shine. An intriguing work of both melody and intrigue, using extending techniques. Originally composed for New York City cellist Anna Callner and now a bastion of the cello literature for the serious musician. Written by award winning composer. Inspired by French filmmaker Jean Cocteau's Orfeo. Ideal for the intermediate student, college, amateur musicians and the professional. Quite dramatic in live performance! Award-winning Cuban-American Composer S. PeÃ±a Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S PeÃ±a Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60Ã—60 and Lee Scottâ€™s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the worldâ€™s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.

$8.99 ≈ £7.10